Skip to the content
FilCommunityWorkflowsDocsOpen Fil
Reshoot this scene with the camera orbited 45° to the right around the subject. The new shot: a three-quarter view from the…

Image · Seedream 5.0 Pro

Reshoot this scene with the camera orbited 45° to the right…

Reshoot this scene with the camera orbited 45° to the right around the subject. The new shot: a three-quarter view from the right, at eye level. Because the camera has really moved, the picture changes: the subject is now turned about 45° to the camera, so more of their left side shows and their other side turns away; the background, the floor and every object around them shift and turn with the new perspective, and things on that side of the frame come nearer. The composition must clearly differ from the original; do not return the same framing. Keep the same subject (identity, face, build, clothing, gear and pose), the same setting and objects, the same lighting and time of day, and the same colours and art style.

Meng To@shadownessguy0097
Model
Seedream 5.0 Pro
Made by
Meng To
Shared
Likes
0
Open in Fil

Use its prompt, turn it into a video or a 3D model, or find more like it in Fil. Fil is invite-only for now: without an invitation, Open in Fil shows the waitlist.

More like this

Reshoot this scene with the camera orbited 35° to the right around the subject, then raised to look down from 45° above…Reshoot this scene with the camera orbited 35° to the right around the subject, then raised to look down from 45° above. The new shot: a…Reshoot this scene with the camera orbited 50° to the left around the subject, then raised to look down from 25° above. The…Reshoot this scene with the camera orbited 50° to the left around the subject, then raised to look down from 25° above. The new shot: a…Reshoot this scene with the camera orbited 55° to the left around the subject, then lowered to look up from 10° below. The…Reshoot this scene with the camera orbited 55° to the left around the subject, then lowered to look up from 10° below. The new shot: a…Reshoot this scene with the camera orbited 55° to the left around the subject, then raised to look down from 10° above. The…Reshoot this scene with the camera orbited 55° to the left around the subject, then raised to look down from 10° above. The new shot: a…Reshoot this scene with the camera orbited 35° to the left around the subject, then lowered to look up from 10° below. The…Reshoot this scene with the camera orbited 35° to the left around the subject, then lowered to look up from 10° below. The new shot: a…Reshoot this scene with the camera orbited 35° to the left around the subject, then lowered to look up from 10° below. The…Reshoot this scene with the camera orbited 35° to the left around the subject, then lowered to look up from 10° below. The new shot: a…Character sheet of the lead from Script.md: front, three-quarter and back views at one scale on a plain light background…Character sheet of the lead from Script.md: front, three-quarter and back views at one scale on a plain light background, with two head…Shot 2 from Script.md: start on the wired keyframe and play its action as one continuous five-second take, with the camera…Shot 2 from Script.md: start on the wired keyframe and play its action as one continuous five-second take, with the camera move it names…Shot 3 from Script.md: start on the wired keyframe and play its action as one continuous five-second take, with the camera…Shot 3 from Script.md: start on the wired keyframe and play its action as one continuous five-second take, with the camera move it names…Shot 1 from Script.md: start on the wired keyframe and play its action as one continuous five-second take, with the camera…Shot 1 from Script.md: start on the wired keyframe and play its action as one continuous five-second take, with the camera move it names…Keyframe for shot 3 of Script.md, as the skill’s keyframes, in the same place and light as the wired Keyframe 1. Reference…Keyframe for shot 3 of Script.md, as the skill’s keyframes, in the same place and light as the wired Keyframe 1. Reference (Script.md): #…Keyframe for shot 2 of Script.md, as the skill’s keyframes, in the same place and light as the wired Keyframe 1. Reference…Keyframe for shot 2 of Script.md, as the skill’s keyframes, in the same place and light as the wired Keyframe 1. Reference (Script.md): #…