Skip to the content
FilCommunityWorkflowsDocsOpen Fil
Reshoot this exact picture from a new camera position, as a new shot of the same film scene. CAMERA MOVE: the camera turns…

Image · Seedream 5.0 Pro

Reshoot this exact picture from a new camera position

Reshoot this exact picture from a new camera position, as a new shot of the same film scene. CAMERA MOVE: the camera turns about 30 degrees to the left and walks about two metres closer to the left wall, still at standing eye level, so it faces the dressing table. WHAT THAT CHANGES: the dressing table with its tall arched mirror is now in the middle of the frame, large, seen nearly straight on, with the red velvet stool in front of it. The lattice panels and the two arched niches of the left wall are on either side of it, and the left curtain hangs at the left edge. The swing is at the right edge of the frame, partly cut off. The arches and the garden leave the frame on the right. The red carpet fills the bottom of the frame; the floor cushions are out of the frame below. WHAT MUST STAY THE SAME: the same room, painted by the same artist at the same hour. Every object stays exactly as the reference shows it, with the same shape, size, colours and pattern, each in the same place relative to the others: the gilded painted dressing table with its tall arched mirror in a gold frame, brass oil-lamp sconces beside the mirror, white flowers in a brass vase and small jewelled bottles, the red velvet stool with a gold fringe, a brass pot by its leg and a red embroidered cloth over its end, all against the LEFT wall with pierced stone lattice panels and two arched niches (one holding white flowers in a vase, one a brass lamp); the wooden swing hanging on long brass chains in front of the back wall, with a red bolster, green and red embroidered cushions, a small basket of red yarn and a red-and-gold cloth over its front; pale ochre walls with painted red flower panels and a painted frieze; the polished white marble floor; the large red carpet with a small gold-and-green pattern; pink-red silk curtains with gold tassel tie-backs. Keep the bright midday daylight coming in from the arches on the right, the sunlit marble, the warm colours, and the style: a hand-painted background from a 1990s hand-drawn feature-film cel animation, gouache with clean ink outlines. No people, no animals, no text. Do not add or remove furniture.

Ananth B@ananthb3863

Model
Seedream 5.0 Pro
Made by
Ananth B
Shared
Likes
0
Open in Fil

Use its prompt, turn it into a video or a 3D model, or find more like it in Fil. Fil is invite-only for now: without an invitation, Open in Fil shows the waitlist.

More like this

Reshoot this exact picture from a new camera position, as a new shot of the same film scene. CAMERA MOVE: the camera turns…Reshoot this exact picture from a new camera position, as a new shot of the same film scene. CAMERA MOVE: the camera turns about 35…Reshoot this exact picture from a new camera position, as a new shot of the same film scene. CAMERA MOVE: the camera turns…Reshoot this exact picture from a new camera position, as a new shot of the same film scene. CAMERA MOVE: the camera turns about 35…Make the reverse shot of this room for the same film scene: the view looking the other way. There are two pictures. One is…Make the reverse shot of this room for the same film scene: the view looking the other way. There are two pictures. One is the room at…Make the reverse shot of this room for the same film scene: the view looking the other way, at standing eye level. CAMERA…Make the reverse shot of this room for the same film scene: the view looking the other way, at standing eye level. CAMERA MOVE: the camera…Make the reverse shot of this room for the same film scene: the view looking the other way, at standing eye level. CAMERA…Make the reverse shot of this room for the same film scene: the view looking the other way, at standing eye level. CAMERA MOVE: the camera…Make the reverse shot of this room for the same film scene: the view looking the other way, at standing eye level. CAMERA…Make the reverse shot of this room for the same film scene: the view looking the other way, at standing eye level. CAMERA MOVE: the camera…Reshoot this exact room from a new camera position, as a new shot of the same film scene. CAMERA MOVE: the camera drops to…Reshoot this exact room from a new camera position, as a new shot of the same film scene. CAMERA MOVE: the camera drops to the floor. It…Reshoot this exact room from the opposite direction, as the reverse shot of the same film scene. CAMERA MOVE: the camera…Reshoot this exact room from the opposite direction, as the reverse shot of the same film scene. CAMERA MOVE: the camera turns all the way…Reshoot this exact room from directly above, as a top-down shot of the same film scene. CAMERA MOVE: the camera rises to…Reshoot this exact room from directly above, as a top-down shot of the same film scene. CAMERA MOVE: the camera rises to the ceiling above…Character sheet of the lead from Script.md: front, three-quarter and back views at one scale on a plain light background…Character sheet of the lead from Script.md: front, three-quarter and back views at one scale on a plain light background, with two head…Keyframe for shot 3 of Script.md, as the skill’s keyframes, in the same place and light as the wired Keyframe 1. Reference…Keyframe for shot 3 of Script.md, as the skill’s keyframes, in the same place and light as the wired Keyframe 1. Reference (Script.md): #…Keyframe for shot 2 of Script.md, as the skill’s keyframes, in the same place and light as the wired Keyframe 1. Reference…Keyframe for shot 2 of Script.md, as the skill’s keyframes, in the same place and light as the wired Keyframe 1. Reference (Script.md): #…