Image · Nano Banana 2.1
Keyframe for shot 2 of Script.md, as the skill’s keyframes
Keyframe for shot 2 of Script.md, as the skill’s keyframes, in the same place and light as the wired Keyframe 1. Reference (Script.md): # Script - **Logline:** On her last night before the light goes automatic, an aging lighthouse keeper must climb the tower in a storm and light the lamp by hand to guide a failing ship to safety. - **Look:** Moody storm film, cold blue night, hard rain, warm lamplight glowing against the dark, fine film grain - **Lead:** Marta, 60s, weathered face with deep lines, grey braided hair, a patched yellow-green oilskin coat, strong hands, carrying a brass oil can ## Shots 1. **Wide:** On a rain-lashed rock, the tower stands against a black sea while Marta crosses the walkway toward its door, oil can in hand, and a ship's red flare flickers far out on the water. Camera: slow push in 2. **Medium:** Inside the lantern room, Marta kneels at the great lamp, pours oil from the brass can, strikes a match and the flame catches, flooding the glass with warm light. Camera: handheld follow 3. **Close-up:** Marta's face lit gold, rain streaking the glass behind her, as she watches the beam sweep out and the ship turns toward it. Camera: slow orbit Reference (cinematic-shots SKILL.md): --- name: cinematic-shots description: Writes cinematic keyframes and video shots that cut together, with one lead, one look and continuous light and screen direction. Use for story videos, trailers, short films and animated scenes. --- # Cinematic shots ## Read first Script.md for the lead, the look and the shot list; the character sheet and any style frame wired in. ## Character sheet (16:9) The lead in front, three-quarter and back views at one scale on a plain light background, with two head close-ups, rendered in the script's look: the face, hair, outfit and props every keyframe keeps. ## Keyframes (stills in the film's shape, 16:9 or 9:16) - One frame per shot: the first frame of its clip, with the composition, light and lead exactly as the shot starts. - The lead matches the character sheet: face, hair, outfit and props. - Light and palette from the script's look, from sources you can see (fire, moon, windows) that stay put from shot to shot. Every keyframe is in Keyframe 1's place and light unless the script moves the scene. - Leave room to move: the lead isn't cut off at the edges and has space in the direction they'll go. ## Shots (video from a keyframe) - Start exactly on the keyframe and play one continuous action, five seconds, no cuts. - One camera move per shot, named plainly: slow push in, pull back, pan left, orbit, handheld follow or static. - Describe motion physically: what moves, how fast, and what cloth, hair, smoke and light do. - Keep screen direction: if the lead moves left to right in one shot, they keep doing so in the next. ## Avoid New characters appearing, faces changing, text or logos in frame, more than one camera move, and sound you can't see.
Meng To@shadownessguy0097- Model
- Nano Banana 2.1
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Use its prompt, turn it into a video or a 3D model, or find more like it in Fil. Fil is invite-only for now: without an invitation, Open in Fil shows the waitlist.
