Image · Ideogram 4.5
Editorial black-and-white halftone line illustration about…
Editorial black-and-white halftone line illustration about designing, developing and making apps. A tall, rubbery long-limbed character in a black tee stands and pulls UI pieces (buttons, cards, a toggle, a code bracket) onto a large phone-shaped frame, as if building an app. Confident black line with a slight hand wobble and open contours. Greys made only of fine jittered halftone dots clipped to shapes, with a few solid black masses (the tee, hair). Warm off-white paper #f4f1ea, black ink only, no colour, small doodles such as stars, arrows and sparks around, a dotted floor pool beneath. Balanced landscape composition, no text. Reference (SKILL (2).md): --- name: illustration-halftone-line description: Draws hand-authored SVG spot illustrations in a halftone line style for design and coding scenes. Identifying traits are a confident black line with a slight hand wobble and contours left open, grey tones made only of fine halftone dots clipped to shapes, a few solid black masses (hair, leaves, a bag, a black tee), warm off-white paper and no colour at all. Covers the two-ink palette, line weights, the open-contour and stipple techniques, a seeded compiler that turns tone tags into dot fills, rubbery long-limbed characters and expressive hands, doodles, floor pools and a render-and-critique loop. Use when someone asks for halftone, stipple, dotted, risograph-like, newsprint, black-and-white, monochrome line, editorial line or zine-style illustrations, or for empty states, onboarding, 404 pages, blog headers, feature spots and marketing cards in that look. --- # Illustration: Halftone line An editorial black-and-white style: one black ink on warm paper, figures drawn with a confident, slightly wobbly line that stops short instead of closing, and every grey made of printed-looking dots. It suits calm, human product moments: collaboration, reviews, commutes, focus time. Boundary: for a single continuous line with off-register colour patches use `illustration-one-line`; for thick brush outlines with a second flat ink use `illustration-two-colour-brush`; for thin indigo interiors with sparse colour accents use `illustration-line-interior`. If the brief wants any colour, this is the wrong skill. Extracted from a set of 42 original design-and-coding cards in 14 styles; the three cards in `examples/` are this style's shipped cards. ## The look in one sentence Black line and black dots on warm paper, nothing else: every grey is a field of jittered halftone dots whose size tracks the tone, and the line around it is left open. ## Palette | Role | Hex | Where it goes | |---|---|---| | Paper | `#f4f1ea` | the full-bleed card rect, and the fill of every shape that must hide what is behind it | | Ink | `#111111` (written `#111`) | every line, every halftone dot, every solid black mass | - Two colours, no exceptions: no greys, no opacity, no gradients, no colour accents. A grey comes only from dots. - Paper-coloured strokes (`stroke="#f4f1ea"`, 1.2–1.5) are drawn inside solid black shapes for hair highlights, leaf veins, trouser creases and bag seams. - Most of the card is open paper: measured ink cover (lines, dots and blacks together) is 12–14% of the card. ## Line and fill Widths at 480 wide. The art group carries `stroke="#111" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" fill="none"`; parts override it. | Element | Width | |---|---| | Figures, hands' outer contour, furniture, shoes' outline | 2.0 (1.9–2.1) | | Screens' inner frame, window glass, plants, small props | 1.6–1.7 | | Finger and thumb creases, folds, cuffs, hems, hood seams | 1.3–1.6 | | Keyboard keys, nail ticks, text lines on paper props | 1.1–1.3 | | Squiggles, Variation: Show the character perched on a small stepladder, reaching up to slot a code bracket into the top of the phone frame. Buttons and cards float in a loose spiral behind it like a trail. Use a calmer, airy composition with lots of open paper, sparse dots and tiny star doodles.
Meng To@shadownessguy0097- Model
- Ideogram 4.5
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- Meng To
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